{"id":680,"date":"1985-03-31T23:40:00","date_gmt":"1985-03-31T23:40:00","guid":{"rendered":"https:\/\/chicomazzoni.art.br\/?post_type=obras&p=680"},"modified":"2023-04-02T22:25:48","modified_gmt":"2023-04-02T22:25:48","slug":"multiplos","status":"publish","type":"obras","link":"https:\/\/chicomazzoni.art.br\/en\/obras\/multiplos\/","title":{"rendered":"Multiples"},"content":{"rendered":"

By borrowing some tricks from the advertisement sketch artist, like how to solidify a form or, even better, \u201cmetalize\u201d the human figure, emphasizing the contours as a translucent, he is able to achieve an instantaneous impact which, allied to cleanliness, to work that is rigorously purified of technical imperfections, is attractive and somewhat disturbing, like a Spielberg film.<\/p>\n\n\n\n

Matilde Matos \u2022 (ABCA e AICA)<\/p>\n\n\n\n

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Tomando emprestado alguns truques do desenhista de propaganda, como o de solidificar a forma, ou melhor \u201cmetalizar\u201d a figura humana, enfatizando os contornos com uma camada transl\u00facida, consegue um impacto instant\u00e2neo que aliado \u00e0 limpeza, ao trabalho rigorosamente depurado de imperfei\u00e7\u00f5es t\u00e9cnicas, \u00e9 atraente e um tanto perturbador como um filme de Spielberg. Matilde Matos […]<\/p>\n","protected":false},"featured_media":455,"template":"","categories":[],"class_list":["post-680","obras","type-obras","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nM\u00faltiplos - Chico Mazzoni<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/chicomazzoni.art.br\/en\/obras\/multiplos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00faltiplos - Chico Mazzoni\" \/>\n<meta property=\"og:description\" content=\"Tomando emprestado alguns truques do desenhista de propaganda, como o de solidificar a forma, ou melhor \u201cmetalizar\u201d a figura humana, enfatizando os contornos com uma camada transl\u00facida, consegue um impacto instant\u00e2neo que aliado \u00e0 limpeza, ao trabalho rigorosamente depurado de imperfei\u00e7\u00f5es t\u00e9cnicas, \u00e9 atraente e um tanto perturbador como um filme de Spielberg. 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